$799.00
When AWOL Vision launched the LTV-2500 in late 2022, they made quite a splash in the home theater world. After extensive testing, it's clear why - this projector represents a sweet spot of performance and value that's pretty hard to beat. Let's break down what makes this $2,799 UST projector special and who it might be perfect for.
At the heart of the LTV-2500 is its triple laser light engine - think of it as having three separate colored lasers (red, green, and blue) that combine to create the image, rather than using a traditional lamp and color wheel. This matters because it delivers more accurate colors and a much longer lifespan - we're talking 25,000 hours versus the 3,000-5,000 you'd get from a lamp-based projector.
The projector outputs a true 4K resolution (3840 x 2160 pixels) using a sophisticated pixel-shifting technology. While the actual DLP chip is 1080p, it shifts so rapidly that it creates a genuine 4K image that, in our testing, looks just as sharp as native 4K projectors costing thousands more.
With 2000 ANSI lumens of brightness (that's the standardized way to measure projector brightness), the LTV-2500 is plenty bright for most rooms. In our testing, we found it handled moderate ambient light well, though like any projector, it looks best in a controlled lighting environment.
The color performance is where this projector really shines. It covers 107% of the BT.2020 color space - that's technical speak for "it can display more colors than most TVs and projectors on the market." In practical terms, this means movies and games look incredibly vivid and lifelike, without appearing artificial or oversaturated.
In our dedicated theater room, the image quality was impressive. The LTV-2500 handles HDR content particularly well - those bright, colorful scenes in nature documentaries really pop, while still maintaining detail in darker scenes. We noticed that shadow detail in darker movies like "Dune" remained visible without crushing blacks - something many projectors struggle with.
The projector supports all major HDR formats (HDR10, HDR10+, and HLG), and includes sophisticated tone mapping that helps optimize the image for your viewing environment. This means you're getting the best possible picture whether you're watching in a dark theater room or a moderately lit living room.
For gamers, the LTV-2500 is a genuine treat. With input lag as low as 15ms at 4K/60Hz (and even 8ms at 1080p/120Hz), it's responsive enough for competitive gaming. During our testing with fast-paced games like "Doom Eternal," we didn't notice any significant input delay, and the motion handling was excellent.
The bright output and excellent motion handling make this projector great for sports viewing. We watched several football games, and fast motion was smooth and clear, without the judder or blur that can plague lesser projectors.
One of the best things about UST projectors is their flexibility in placement. The LTV-2500 can create a 100-inch image from just 7.2 inches from the wall - that's about the depth of a typical media console. The 8-point keystone correction makes it easier to get a perfectly rectangular image, even if the projector isn't perfectly aligned.
While you can project onto a white wall, you'll get the best results with an ALR (Ambient Light Rejecting) screen. These screens are specifically designed for UST projectors and help maintain image contrast even with some ambient light. We tested with both a standard white screen and an ALR screen, and the difference was significant - especially during daytime viewing.
Running Android 9.0, the LTV-2500 has built-in streaming capabilities, though most users will likely prefer to use an external streaming device through one of the three HDMI ports. The built-in 36W stereo speakers are surprisingly capable, but again, in a proper home theater setup, you'll want to connect to an external sound system using the eARC-enabled HDMI port.
At $2,799, the LTV-2500 competes with both high-end TVs and other UST projectors. When you consider that a 85-inch premium TV can cost significantly more, and won't give you nearly the same screen size potential (the LTV-2500 can project up to 150 inches), the value becomes clear.
The LTV-2500 is ideal for:
After extensive testing, the AWOL Vision LTV-2500 has proven itself as one of the most compelling UST projectors in its price range. While it's not perfect - no projector is - it delivers where it counts: image quality, usability, and value.
The combination of bright output, accurate colors, and gaming-friendly features makes it surprisingly versatile. Whether you're watching movies in a dedicated theater room, playing games, or enjoying sports with friends, the LTV-2500 handles it all with aplomb.
The technology has continued to mature since its release, with firmware updates adding features and improving performance. AWOL Vision has shown commitment to supporting their products, which adds value to the investment.
For anyone considering a large-format display over 100 inches, the LTV-2500 should be at the top of their list. It represents a sweet spot in the market where performance meets value, making it a compelling choice for both home theater enthusiasts and casual users alike.
The LTV-2500 delivers exceptional value at $2,799, offering premium features like triple laser technology, true 4K resolution, and excellent HDR performance. For home theater enthusiasts seeking a large-format display over 100 inches, it provides better value than similarly priced OLED TVs and competing UST projectors.
With 2000 ANSI lumens, it's bright enough for most home theater environments and can handle moderate ambient light. While it performs best in controlled lighting, it's powerful enough for casual viewing in living rooms with some light control.
The AWOL Vision LTV-2500 can project images from 80 to 150 inches diagonal, making it perfect for home theater applications. For optimal performance, we recommend a 100-120 inch screen size in most rooms.
Yes, it's excellent for gaming with low input lag (15ms at 4K/60Hz and 8ms at 1080p/120Hz), supporting modern consoles and PC gaming. The large screen size creates an immersive gaming experience.
While the projector will work with any screen, an ALR (Ambient Light Rejecting) screen designed for UST projectors is strongly recommended. This maximizes contrast and image quality, especially in rooms with ambient light.
The triple laser light source is rated for 25,000 hours of use. At 4 hours of daily use, that's over 17 years before requiring replacement, making it a long-term investment.
The LTV-2500 excels at movie watching with its wide color gamut (107% BT.2020), strong HDR support, and excellent contrast. It provides a true cinema-like experience, especially in a dedicated home theater room.
With a 0.25:1 throw ratio, it needs only 7.2 inches from the wall for a 100-inch image. This ultra-short throw distance makes it perfect for rooms where traditional projector placement isn't practical.
Yes, it features 36W stereo speakers with Dolby Atmos support. While these are better than most projector speakers, we recommend a dedicated sound system for a full home theater experience.
While OLED TVs offer better absolute black levels, the AWOL Vision LTV-2500 provides much larger screen sizes at a lower cost per inch. For home theater applications requiring screens over 85 inches, it represents better value while still delivering excellent picture quality.
We've done our best to create useful and informative comparisons to help you decide what product to buy. Our research has used advanced automated methods to create this comparison and perfection is not possible - please contact us for corrections or questions. These are the sites we've researched in the creation of this article: projectorjunkies.com - dreamediaav.com - projectorjunkies.com - avsforum.com - nothingprojector.com - projectorreviews.com - vividstorm.eu - projectorcentral.com - projectorcentral.com - projectorcentral.com - avsforum.com - dreamediaav.com
The BenQ V5000i distinguishes itself with superior gaming capabilities and more precise color accuracy compared to the AWOL Vision LTV-2500. Its 17.9ms input lag at 4K/60Hz and support for features like Auto Low Latency Mode (ALLM) make it significantly better for gaming enthusiasts. The BenQ also offers more advanced HDR processing with dynamic tone mapping and covers 98% of the DCI-P3 color space, resulting in more accurate color reproduction. For home theater enthusiasts who demand precise calibration options and gaming performance, these features might justify its higher $3,499 price tag.
However, the BenQ V5000i falls slightly behind in raw brightness with 2,500 ANSI lumens compared to the AWOL's 3,000, making it less suitable for rooms with significant ambient light. While it includes more advanced features like Android TV 11 and extensive calibration options, these additions may not justify the $500 premium for users who prioritize straightforward operation and bright, punchy images. The BenQ's superior gaming performance and color accuracy make it a better choice for dedicated home theater rooms and gaming setups, but its lower brightness and higher price point might make it less appealing for casual viewers who want maximum versatility in varying light conditions.
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The $5,999 Samsung Premiere 9 represents the premium tier of UST projectors, distinguishing itself with class-leading brightness at 3,450 lumens and superior HDR processing that delivers noticeably better performance in challenging viewing conditions. Its triple laser system achieves an impressive 154% of the DCI-P3 color space, resulting in more vibrant and accurate colors that are immediately apparent when viewing high-quality content. The integrated 40W 2.2.2 channel Dolby Atmos audio system provides a more sophisticated sound experience than typical projector speakers, potentially eliminating the need for an immediate audio upgrade. The Tizen smart platform offers a more refined user experience with better app integration and Samsung's Gaming Hub, though its 55ms input lag falls short of the AWOL's gaming performance.
While the Premiere 9's premium features and better picture quality are undeniable, buyers should carefully consider whether these improvements justify paying twice the price of the LTV-2500. The Samsung's superior brightness and HDR handling make a meaningful difference in rooms with ambient light, and its more sophisticated tone mapping provides better shadow detail in dark scenes. However, for viewers with controlled lighting conditions who don't require absolute best-in-class performance, the price premium may be harder to justify. The Premiere 9's main advantages - better HDR, brighter output, superior audio, and more refined smart features - will matter most to home theater enthusiasts seeking the best possible picture quality regardless of cost.
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The Hisense PL2 ($2,500) distinguishes itself with its impressive 2,700 ANSI lumens brightness and comprehensive smart features built around the Google TV platform. This higher brightness gives it a significant advantage in rooms with ambient light, making it more versatile for everyday use in living rooms or multipurpose spaces. The integrated streaming capabilities eliminate the need for external devices, while the automatic geometry correction simplifies setup considerably. Its X-Fusion laser technology, though not as advanced as triple laser systems, still delivers excellent color accuracy with 85% DCI-P3 coverage, sufficient for most content consumption.
At $500 less than the LTV-2500, the Hisense PL2 offers compelling value, especially for users seeking an all-in-one solution. The built-in 30W Dolby Atmos speakers provide better out-of-the-box audio performance, though most users will still want to pair it with an external sound system for the best experience. While it may not match the LTV-2500's color accuracy and HDR processing in a dark room setting, its superior brightness and user-friendly features make it a more practical choice for most home environments. The PL2's balance of performance, features, and value make it particularly appealing for users who want a premium viewing experience without the complexity and additional equipment requirements of more specialized projectors.
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The BenQ V5010i distinguishes itself with higher brightness capabilities, delivering 2,500 ANSI lumens compared to the AWOL's 2,000 lumens, making it more versatile for rooms with ambient light or daytime viewing. It particularly excels in gaming performance, offering an impressive 8.7ms input lag at 1080p/240Hz, which makes it more suitable for competitive gaming. BenQ's implementation of Auto Low Latency Mode (ALLM) and comprehensive calibration tools shows their focus on creating a projector that can seamlessly switch between gaming and movie watching without compromising quality.
While the BenQ V5010i doesn't offer Dolby Vision support, it compensates with BenQ's proprietary HDR-PRO technology and custom-tailored contrast curves that enhance over 1,000 independent regions per frame. Its 40W audio system, featuring dual 5W tweeters and dual 15W woofers, provides slightly more powerful built-in sound than the AWOL. Though its price hasn't been announced yet, the BenQ's higher brightness and gaming-oriented features could make it a more attractive option for users who prioritize versatility across different lighting conditions and usage scenarios over pure home theater performance.
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The Formovie C3 ($1,899) offers impressive value at a lower price point, delivering strong performance with its single ALPD laser system and surprisingly good 3000:1 contrast ratio. While it can't match the AWOL's color accuracy or HDR processing, it still produces vibrant, detailed images that will satisfy most viewers, especially in controlled lighting conditions. The Formovie's slightly shorter throw ratio of 0.23:1 provides more placement flexibility, and its 2200 ANSI lumens brightness is adequate for most home theater environments, though it does require more careful light control than the AWOL.
For $400 less than the AWOL LTV-2500, the Formovie C3 represents an excellent value proposition for users who prioritize budget while still wanting quality performance. Its 40ms input lag isn't ideal for serious gaming, and the FengOS system's limited English support means you'll likely need an external streaming device, but these compromises are reasonable given the price point. For movie enthusiasts who primarily watch standard content in a dedicated home theater space and don't need gaming-grade response times, the Formovie C3 delivers about 90% of the AWOL's performance at a significantly lower cost.
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The recently released Ultimea Thor T60 represents a significant step up in brightness and versatility, though at $4,999 it commands a $2,000 premium over the LTV-2500. Its standout feature is the impressive 4,000 ANSI lumens output, which effectively doubles the brightness capability of the LTV-2500. This extra brightness, combined with 120% BT.2020 color coverage and advanced HDR processing, makes it particularly suitable for bright room viewing where the LTV-2500 might struggle. The Thor T60 also brings notable gaming improvements with its 25ms input lag and ALLM support, making it a more versatile choice for mixed-use environments.
However, the Ultimea Thor T60's higher brightness comes with some trade-offs, including potentially more visible laser speckle in bright scenes and the need for more careful thermal management. While it offers more advanced features like Dolby Vision support and a newer Android TV 11 interface, these improvements may not justify the significant price premium for users primarily focused on movie watching in controlled lighting conditions. The Thor T60 makes the most sense for those who need maximum brightness for daytime viewing or want the latest gaming features, but for dedicated theater rooms, its additional capabilities might be underutilized.
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The Formovie Theater Premium sets itself apart with its superior 2200 ISO lumens brightness and more advanced smart features. Released in early 2024, it brings significant improvements in ambient light performance, making it more versatile for everyday viewing in varying light conditions. The integration of modern Google TV provides a more refined user experience compared to the AWOL's basic Android implementation, eliminating the need for external streaming devices. Its Bowers & Wilkins sound system, while lower in total power output, delivers notably higher quality audio, and the comprehensive HDR support, including Dolby Vision, enhances the viewing experience across streaming platforms.
However, the Formovie's 43ms input lag at 4K/60Hz makes it less ideal for serious gaming compared to the AWOL's responsive performance. While both projectors are priced at $2,999, the Formovie justifies its premium positioning through its superior brightness, modern smart features, and better color accuracy with 107% BT.2020 coverage. It's the better choice for users who prioritize versatility and picture quality in varying lighting conditions, though its pending 3D support and slightly shorter 20,000-hour laser life are factors to consider. The Formovie excels as an all-around performer, particularly suited to mixed-use living spaces where lighting control isn't always possible.
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The Epson EpiqVision Ultra LS650 ($2,499) stands out with its impressive 3,600 lumens brightness and 3LCD technology, making it a more versatile choice for rooms with ambient light. While it uses pixel-shifting rather than native 4K resolution, the difference is barely noticeable in real-world viewing, and its color accuracy is remarkably natural right out of the box. The built-in Android TV and Yamaha 2.1 sound system make it a more complete package, eliminating the need for additional streaming devices or immediate audio upgrades. The 3LCD technology also means there's no possibility of rainbow effects, which can bother some viewers of DLP projectors.
At $500 less than the AWOL, the Epson LS650 offers compelling value for users who prioritize practical features over absolute picture quality. Its more forgiving setup process and better bright-room performance make it an excellent choice for multipurpose spaces and casual viewing environments. While it doesn't match the AWOL's HDR performance or gaming response times, it provides a more well-rounded package that's easier to live with day-to-day. The higher brightness and built-in streaming features make it particularly appealing for users upgrading from a traditional TV or those who want a simple, effective solution without requiring a perfectly controlled viewing environment.
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The NexiGo Aurora Pro stands out as a strong competitor, offering several advantages over the LTV-2500, particularly in brightness and contrast performance. With 2,400 ANSI lumens and a superior 3,000:1 native contrast ratio (expandable to 6,000:1 with dynamic contrast), it delivers noticeably better image quality, especially in dark scenes and mixed content. The Aurora Pro's implementation of Dolby Vision HDR, alongside its comprehensive HDR support, provides more nuanced and vibrant images across all content types. Its impressive 60W Dolby Atmos sound system also outperforms the LTV-2500's audio capabilities, making it a more complete package for those who might not immediately invest in external speakers.
Perhaps most compelling is the NexiGo Aurora Pro's lower price point at $2,699, offering these enhanced features while costing $300 less than the LTV-2500. Its gaming performance is notably superior, with a 9ms input lag at 1080p/240Hz compared to the LTV-2500's 15ms, making it a more versatile choice for gamers. While both projectors utilize RGB triple laser technology, the Aurora Pro's implementation appears to deliver better real-world results, particularly in color accuracy and overall image processing. These advantages, combined with its more competitive pricing, make it a compelling alternative that outperforms the LTV-2500 in several key areas.
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The AWOL Vision LTV-3500 Pro stands out primarily for its impressive 3,500 ANSI lumens brightness, a significant 75% increase over the LTV-2500. This additional brightness makes it more versatile for bright rooms and daytime viewing, maintaining punchy, vibrant images even with significant ambient light. While it shares the same core triple-laser technology and excellent color reproduction as its sibling, the LTV-3500 Pro adds ALLM support for gaming and includes a Fire TV Stick 4K Max for enhanced streaming capabilities.
At nearly twice the price ($5,999), the decision to upgrade to the LTV-3500 Pro should primarily depend on your viewing environment and budget. In a dedicated home theater or room with controlled lighting, the additional brightness may not justify the premium. However, for multipurpose living rooms or spaces with large windows, the extra brightness provides noticeable benefits in maintaining image quality throughout the day. Both projectors deliver identical gaming performance and color accuracy, making the LTV-3500 Pro's premium price point primarily a consideration for those needing maximum brightness and flexibility in challenging lighting conditions.
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The Leica Cine 1 stands apart with its premium Summicron lens system and higher 3000 ANSI lumens brightness, delivering exceptional edge-to-edge clarity and reduced chromatic aberration compared to other UST projectors. Its fixed lens design, optimized specifically for 120-inch screens, demonstrates Leica's commitment to maximizing image quality through specialized engineering. The built-in 50W Dolby Atmos sound system and premium aluminum construction further emphasize its position as a luxury home theater component.
However, at $9,495, the Leica costs more than three times as much as the AWOL Vision while offering fewer features in some areas. The Leica lacks gaming optimization, provides less screen size flexibility, and doesn't match the AWOL's wider color gamut coverage. While the Leica's superior lens quality and brightness are noticeable improvements, they may not justify the significant price premium for most users, especially considering the AWOL's excellent performance-to-price ratio and more versatile feature set.
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The Hisense PX3-PRO ($3,499) stands out with its superior 3,000 ANSI lumens brightness, comprehensive HDR support including Dolby Vision and IMAX Enhanced certification, and built-in Google TV streaming capabilities. The higher brightness gives it a notable advantage in rooms with ambient light, maintaining vibrant images even during daytime viewing. Its 3,000:1 contrast ratio delivers deeper blacks and better shadow detail than the LTV-2500, while the integrated streaming platform eliminates the need for external devices. The Harman Kardon 50W speakers also provide more robust audio out of the box.
However, the PX3-PRO's $500 premium over the LTV-2500 requires careful consideration. While it offers more features and better brightness, its 30ms input lag makes it less suitable for gaming compared to the LTV-2500's excellent 15ms response time. For dedicated home theater use in controlled lighting conditions, the actual visible difference in image quality between the two projectors is subtle, making the LTV-2500's lower price point potentially more attractive. The PX3-PRO makes the most sense for bright room installations or when its additional features align with specific viewing needs.
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The XGIMI Aura 2 stands as a compelling alternative, particularly excelling in ease of use and automation. Its Advanced Screen Adaption 5.0 technology makes setup remarkably simple, automatically handling focus, keystone correction, and even wall color compensation - features that require manual adjustment on the AWOL. The Aura 2's 60-watt Harman Kardon speaker system delivers notably better audio quality, and its slightly higher brightness rating of 2,300 ISO lumens performs well in rooms with ambient light. At $300 less than the AWOL, it represents solid value for users who prioritize convenience and built-in features.
However, the Aura 2's Dual Light 2.0 technology, while innovative, can't quite match the AWOL's triple laser system for pure image quality and color accuracy. The XGIMI Aura 2 covers 99% of the DCI-P3 color space - impressive, but not quite reaching the AWOL's wider color gamut. It also has higher input lag for gaming and slightly less sophisticated HDR processing. These differences might not matter for casual viewing, but home theater enthusiasts and gamers will likely prefer the AWOL's superior performance in these areas.
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The LG CineBeam HU915QB stands out with its impressive 3,000 ANSI lumens brightness and exceptional 2,000,000:1 dynamic contrast ratio, delivering superior performance in both bright rooms and dark scenes. Its premium WebOS smart platform offers a more refined user experience, and the advanced geometric correction tools make installation more forgiving. The built-in 40W 2.2Ch audio system provides richer sound, though most users will still opt for a dedicated audio setup. LG's sophisticated tone mapping and HDR handling result in more nuanced image processing, particularly noticeable in challenging scenes with both bright and dark elements.
However, at $6,499, the LG commands a significant price premium that's difficult to justify for most users. While it excels in dedicated home theater environments where its superior black levels and contrast can shine, the higher brightness and premium smart features may not warrant the additional $3,500 investment for typical viewing scenarios. The LG also falls short in gaming performance with higher input lag, making it a less versatile choice for mixed-use entertainment spaces. Unless perfect black levels and premium smart features are absolute priorities, the value proposition favors the AWOL Vision's more balanced approach to performance and price.
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The Epson EpiqVision Ultra LS800 ($3,448) stands out primarily for its class-leading 4,000 ANSI lumens brightness, which is double what the LTV-2500 offers. This substantial difference makes the LS800 much more versatile in bright rooms and mixed-use spaces where ambient light control isn't always possible. The LS800 also impresses with its ultra-short 0.16:1 throw ratio, allowing it to sit closer to the wall than the LTV-2500, while its 16.7ms input lag makes it a more capable gaming display. The Yamaha-designed 2.1 audio system with dedicated subwoofer delivers noticeably better sound than most built-in projector speakers.
While the LS800 commands a higher price point, it justifies the premium for users who prioritize brightness and flexibility over absolute color accuracy and HDR performance. Its 3LCD technology may not match the LTV-2500's RGB triple laser system for color gamut coverage, but it provides excellent reliability and consistent performance. The lack of 3D support might disappoint some users, but the LS800's superior ambient light handling and more forgiving setup requirements make it a compelling alternative for multipurpose rooms where the LTV-2500's strengths in dark-room performance might be less relevant.
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The Formovie Theater stands out with its superior 2,800 ANSI lumens brightness and more accurate color reproduction, covering 107% of the Rec.2020 color space. This extra brightness makes a noticeable difference in rooms with ambient light, allowing for more flexible viewing conditions compared to the LTV-2500. The Formovie also offers better contrast performance at 3,000:1, resulting in deeper blacks and more dynamic picture quality during movie watching. Its integrated Android TV 11 platform provides a more streamlined smart TV experience, and the Bowers & Wilkins sound system delivers notably better audio quality for those who don't plan to use an external sound system immediately.
When it comes to value proposition, the Formovie Theater justifies its similar price point through superior brightness and color accuracy, making it a better choice for dedicated home theater use or living rooms where ambient light control isn't always possible. However, it falls short of the LTV-2500 in gaming performance with higher input lag, and its 20,000-hour laser life is shorter than AWOL's 25,000 hours. The choice between the two largely depends on primary use case - the Formovie excels at pure home theater performance, while the LTV-2500 offers more versatility for mixed gaming and movie watching scenarios.
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The VAVA Chroma offers some compelling features, particularly its higher 2500 ANSI lumens brightness rating and premium Harman Kardon speaker system. While both projectors use similar triple laser technology, the VAVA's slightly higher brightness can make a noticeable difference in rooms with moderate ambient light. The Harman Kardon speakers deliver richer audio than typical projector speakers, though like most built-in solutions, they still can't match a dedicated sound system.
However, at $500 more than the AWOL Vision LTV-2500, the VAVA Chroma struggles to justify its premium price point. Its higher input lag makes it less suitable for gaming, and its HDR tone mapping doesn't quite match the AWOL's capability with dark detail preservation. While the VAVA Chroma remains a solid performer, particularly in brighter rooms, most users would be better served by the AWOL's superior value proposition and more refined picture processing.
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Original price was: $5,997.99.$5,797.99Current price is: $5,797.99.
